Broadcasting
7 courses · Chaffey College · 2026-2027 Catalog
Classes: Fall 2026 · Spring 2027
BRDCAST 3 Introduction to Electronic Media
- Units
- 3
- Hours
- 48-54 Lecture
- Transfers to
- CSU
- C-ID
- FTVE 100
Survey the history, structure, function, economics, content and delivery systems of radio, television, motion pictures, the Internet, streaming media systems, and other emerging digital formats. The study of the past and present socio-cultural, political, regulatory, ethical, technical, and occupational impacts of electronic media. Explore the past, present, and future representations of women, people of color, and other underrepresented groups. Examine issues of diversity, equity and inclusion in the media and entertainment industry. This survey course focuses on the evolution of electronic media, with a special emphasis on A.I. trends and innovations. Students will examine how A.I. has shaped electronic media content, distribution, and audience engagement.
BRDCAST 55 Beginning Audio Production
- Units
- 3
- Hours
- 32-36 Lecture, 48-54 Laboratory
- Transfers to
- CSU
- C-ID
- FTVE 120
This course serves as an introduction to the theory and practice of audio production for radio, television, film, and digital recording applications. Principles of digital audio production, digital recording, microphone use and placement, sound effects, audio mixing and sound design and aesthetics. Practical experience with microphones, multi-track digital audio recording and mixing, editing, mastering, and control-board cueing. Digitizing and mixing compact disc, DVD, audio/video, and analog sources with music, spoken word, voice-over narration, and sound effects. Integration of sound design in motion pictures, television and the media arts. General F.C.C. rules and regulations pertinent to the broadcast industry. This course introduces students to the fascinating synergy between audio production, sound design, and generative A.I. technologies. Students will explore how A.I. can be used to create and manipulate soundscapes, sound effects, and music. They will gain practical skills in using generative A.I. tools to produce unique audio experiences. Upon completion, students will have basic knowledge of applied audio concepts, production workflow, equipment functions, and audio editing software.
BRDCAST 60 Beginning Single Camera Production
- Units
- 3
- Hours
- 32-36 Lecture, 48-54 Laboratory
- Transfers to
- CSU
- C-ID
- FTVE 130
The course provides an introduction to the theory, terminology, and operation of high definition single camera video production, including composition and editing techniques, camera operation, portable lighting, video recorder operation, audio control and basic editing. This course focuses on the aesthetics and fundamentals of scripting, producing, directing on location, postproduction, and exhibition/distribution. Overview of crew positions and production protocols for Electronic Field Production (EFP), and Electronic News Gathering (ENG), public service announcements, and short dramatic stories. In this course, students will explore the intersection of video production and artificial intelligence. They will learn how AI technologies can enhance various aspects of video creation, from automated video editing to real-time object recognition for creative effects. Students will gain hands-on experience in using AI tools to streamline video production processes and create innovative content that leverages the power of AI.
BRDCAST 62 Beginning TV Studio Production
- Units
- 3
- Hours
- 32-36 Lecture, 48-54 Laboratory
- Transfers to
- CSU
- C-ID
- FTVE 135
This course introduces theory, terminology and operation of a simulated and virtual multi-camera television studio and control room. Topics include studio signal flow, directing, theory and simulated operation of virtual camera and audio equipment, including switcher operation, fundamentals of lighting, graphics, video control and video recording and virtual video production. Additional topics may include: simulated lighting board operation, video signal engineering, multi-camera line switching techniques for live broadcasts. Students coordinate cameras and on-screen performers, and collaborate with production crew members and master control-room personnel, to produce, direct, and edit virtual multi-camera studio productions. In this course, students will master the art of multi-camera studio production with the aid of A.I. systems. They will explore A.I.-driven camera tracking, automated shot selection, and real-time graphics, ensuring dynamic and professional studio productions.
BRDCAST 67 Beginning Radio Production
- Units
- 3
- Hours
- 32-36 Lecture, 48-54 Laboratory
- Transfers to
- CSU
- C-ID
- FTVE 125
Introductory course in the theory and application of live and recorded radio broadcast productions. Students gain a basic understanding of analog and digital audio equipment for live and/or pre-recorded radio broadcasts. Lab practicum includes: operation of various digital recording equipment, digital audio software and editing, radio programming formats, news writing and organizing radio program content for a live or pre-recorded weekly radio broadcast on the Chaffey College radio station. Application of radio production techniques in live audio board operation, mixing sound sources, production of Internet audio/radio streaming, multi-track recording, mixing and editing. Students examine and explore representations of race, gender, and culture in past and current radio programming. Develop vocal announcing skills. Create entrepreneurial content via a radio personality/program website. Produce diverse, multilingual, and culturally inclusive weekly radio broadcasts. Study of current FCC rules and regulations. This course delves into the world of radio production with a focus on A.I. integration. Students will discover how artificial intelligence can be applied to automate content creation, generate voiceovers, and even assist in program scripting. They will learn to harness the capabilities of A.I. to make radio production more efficient and creative.
BRDCAST 70 Postproduction for Broadcasting & Cinema
- Units
- 3
- Hours
- 32-36 Lecture, 48-54 Laboratory
- Transfers to
- CSU
Students assemble and edit various broadcasting and/or cinematic content. Broadcasting and cinema editing assignments may also include some of the following: found footage, bumpers/interstitials, music video, public service announcement, documentary and dramatic student projects. Other postproduction topics include editing workflows, audio sweetening, title sequences, keying, color grading, broadcast mastering standards, streaming video protocols, and basic visual transitions and effects. Postproduction editing is taken to the next level in this course, where students will leverage A.I. tools to enhance various editing skills. They will learn to use A.I. for tasks such as color correction, noise reduction, and automated scene tagging, improving the efficiency and quality of postproduction processes.
BRDCAST 74 High Definition Cinematography
- Units
- 3
- Hours
- 32-36 Lecture, 48-54 Laboratory
- Transfers to
- CSU
Visual theory and methodology of high-definition cinematography applied to the production of dynamic broadcasting and streaming video content. Integration of Advanced Television Systems Committee (ATSC) broadcast technologies with widescreen videography, including 4K HD mobile devices. Emphasis on camera placement, angles, movement, the visual arrangement of compositions, and framing techniques. Writing, production, and editing of a news story and short documentary. Students may collaboratively produce and/or edit several high-definition video projects. Students in this course will learn to create high-definition and documentary videos with the assistance of A.I. tools. They will discover how A.I. can help with video stabilization, scene recognition, and automated captioning, enabling them to produce compelling and professional content.